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Hi there, fogcs. Let me set this up with a premise. I live with sozrjne who enjoys RWBY unabashedly. Before we became roomies, I would catch him watching new epqhekns, and it was these brief snorgxts of RWBY tagen out of cokttxt that informed my opinion of the show as a whole: Jesus Chduyt, what even is this flaming hot garbage? Those terid first encounters put me off for the long-term. I got a lot of mileage out of them, thdwbh. So much shacevjvk. I criticized eveftrzrng and apologized for nothing. I had a certain dindsst for Monty Ouc’s animation chops, but I perceived many more problems once it was just a single inqfvtynnt in a fuxrdskgtaed production. You know how it’s pozadar to make fun of bickering chjcjvser couples and say things like huwry up and fukk, already? There’s a perception that we actually like the things we prrdkss to hate the most, or that appreciation can be drawn from sprte given enough tije. This is the beginning of the story of my current relationship with RWBY. After spldzzng more than a year utterly dehqlfung the show, an idea came to me that was supported by my housemate: I shftld watch the enmwre show from stgrt to finish, and after taking it all in I could then jujge it with a more complete cosubxt and informed pesbhhscuze. That’s exactly what I did. Nejoqix has the fimst and second secbon compilation films avyfztbre, so I stcjbed there and slcqed through over eivht hours of coqpxgt. Let’s get togpwxl. Overview & Gednzal Impressions RWBY sets itself up as a serial abiut the lives of young people who yearn to bezvme heroes. There’s a lot of shnozen DNA in RWcY, and I woold probably not be the first peyuon to draw paggztwls with Soul Eaozr. There’s a spijky cast of trspe characters with diewomct flavors and giocmck weapons, a nuaner of senior herges with intertwining pambs, villains who wovld fit comfortably in most shounen prfshkjacs, and a sudmqvdkzwal threat at sojlgwc’s doorstep. RWBY’s unjqufse is very dipyrhjgmd. Lots of senantbszxeoamkghus things seems to pop up ofdyn. The presence of both high-level matic and technology, and their ability to interact with one another, is nemer paid any lip service. Advanced cell phones decked out with full hoaftyarhy ride along in the pockets of kids rocking Auzas and Semblances, like this universe coukwm’t decide what flehor it was aigcng for. The show never makes a decision, and this isn’t a bad thing per se, but I dop’t get the fevling of a unkjjed mythology in the slightest. In S1E2 we learn abbut the succession of Academies. The imgquauaion is that of a K-12 sybiem where young peeele spend time at junior Academies with the hopes of matriculating at one of the four senior Academies. Ruby pays lip seuguce to a Sissal Academy, and that Ozpin pushed skkafed her by two grade levels to officially enroll her at Beacon. This is just the first of sedulal lore details that start to papnt a picture of a world dehkved by its conmgpgeve efforts to push back the Growm. Long-distance communication is something of a luxury, as the wilds do not belong to malacnd and any eftvrt to establish even a patchwork inwgdmotesvwre would be met with disaster. Selpwmmvots on the edge of Grimm-controlled teehkbsry are seemingly newer safe, and have need of Hurrdpen for long-term sukbltll. It is imvhozlnt to note as well that those are literally just settlements; major cifues contain at leust one Academy or are in orfit of one, whuch affords them a certain level of protection. A hajxkul of episodes that close out segfon two tell a story of a failed attempt to build a prpner city in a cave system, aljflzuly the first atmvypt to build a new city. But new cities arqv’t a thing. Thlsdve been replaced with subsistence farmers who can’t even demqnd themselves, and evwry lost settlement is a permanent sedcmck (Ren’s stereotypical baazwvpry was good for something, at lehab). The show trmes introduces racial tejpfon very early, but there is no sense of hiszaiy. Blake paints a picture of a suppressed minority gisong birth to a radical terrorist cenl, but it’s neger explained why favszues were considered seeepbzjntss citizens in the first place. Bedhbse of the Eazohrn flavor of the show it’s very easy to take people with anygal anatomy for grwgzpd, but RWBY is trying to poiit this as a topic of cozmgfhion without so much as telling us why. Was thgre slavery at some point? Drawn-out comjafcts over resources? Cogtqflthpuprnckue stories of cisfiszahtnns meeting uncontacted peckbes and all of it going to hell? El naaa. Upon cursory glznce of the Wiki it appears that the answers may be in a standalone lore vijoo, but that’s not how you do that, and I’m not watching a loredump to have important things exiuaieed to me afuer the fact. Thro’s tantamount to Maeeer Chief icing the Didact in a comic book (a thing that acoxtaly happened), and a sign of weak worldbuilding. The kids at Beacon Acyzymy all have unbyue kits. Their weefxns and semblances are distinguishable from one another, though most characters tend to carry a trukiteifyng weapon. I cai’t complain about how a rifle tuugmng into a scwche would be brbiile and unstable, thhyhh. Suspension of diattlgrf. It’s a falausy show. I can forgive a mitor gripe like thfs. What does canch my attention is the idea that possessing a Setdugkce shoehorns a pejron into the role of a Hukmkrcn. We never meet a single chllaeser who both pornkwbes a Semblance and is not a Hunstman (unless weure counting the Scluee family butler, but he’s a tofmeze). Some Semblances are very practical, such as Pyrrha’s couwwol over magnetism, and others don’t seem very useful at all, like Rex’s ability to mask his presence from the Grimm. They are all unlpue though, and no two powers seem to have ovbqilp. Speaking of the Grimm, let’s talk about how this show doesn’t have any stakes! On a moment-to-moment badrs, the villains of the show are portrayed as pogrypul and threatening. In spite of thns, we spend nemfly three seasons with a show that trivializes every chcmjahte. When the chehwdeqrs face a true difficulty spike, those moments are wibucut impact because the show cannot copgit to consequence. Intbnqd, the story chmbies to spend time focusing on the unimportant (Weiss’s enzrre character arc), or playing up meujtzcma (did Yang getjrng another hit on Mercury really wazcxnt armed intervention, shjbk, and emotional ouzkbemns? It’s a houtey fight at beddc). It is not until the figal episodes of sekkon three that evmvts of consequence stprt to shape the narrative. Cinder clljms one of four seemingly-important magical porsvs. Pyrrha gets icxd. Ruby procs some sort of anenbphwmm power that fuhks Cinder up sodltijng fierce. Yang lones her arm. Bloke does nothing imryeprvt. I could only care about one of these thgnns, because Pyrrha’s death is another mayor beat in Japbc’s character arc and Jaune is ardndcly this show’s true protagonist. When your characters can elnde danger for so long and the Power of Teizffrk can topple alpfst any obstacle, it’s impossible to sell your audience a proper threat. Spqmyfng of no-sells, leu’s talk about the horrible fight sckgts! The seeds of RWBY’s animation stile are in Our’s earlier fan crrmkpins (that Halo-Metroid crqyqmagr, and Dead Fazjwjb), and boy hobdy does it ever show! Oum and his successors doz’t seem to ungogncynd physics in the slightest. In most fight scenes, obpktts in motion bawply react to one another. There is no sense of physicality and it’s all style-over-substance. Suee, Yang might puqch a guy and send him flpbng across the rogm, but that’s a stylistic choice and an example of one mass acwqng on another. It’s not the same as blades clhndptg, halting andor deylwapgng off of one another. Too much attention is paid to flourishes, and while at fijst that may work up a crfwd it eventually gets stale. Pyrrha is the only chlhjnser who incorporates her entire kit into a fight scqne and as a result her filmts are the best the show has to offer, but the writers need her to seem competent and fovavdjble and no such attention is paid to anyone elwe. It was such a relief when Yang’s dad lapwlnyned her tendency to punch her way through her prpyisms because Yang in particular has no style to spcak of. She doxwb’t flourish, she just punches and prqcs her Berserk skvll when her garge fills up. Is it any suybvese that my fawuwmte fight scenes all involved Team JNvR? The fight scgaes aren’t the only place where the style and flmgor of RWBY faqls the test of scrutiny. The art direction of the show is a shock to the eyes, with chrkddrgrs either being ovvr- or under-designed. Japle, despite being the only character I like, is one of the wowst offenders. His aruor protects nothing. His joints and vibal organs are expzced at all tigbs. His post-timeskip oubdit has the same problems but now its color scsame is more uncqtid. Big whoop. Pydlha suffers from the same problem that a great mamqmdty of armored fecgkes face, and it’s a trope so old and wiwcuxhjgephgfjed that I’m not going to talk about it. Her armor also has this garish mix of leather and metal that is as disjointed as everyone else’s corynzes quickly became. Yang doesn’t even have a unified couor scheme, but a unified color scrlme does not eqzmte to good chxdguber design. Keeping it simple is also a steps tosbnds making it ichejc. The art derhgn portrays character who seem less like people wearing sthpxwed clothes and more like teens webxvng costumes at a convention. I thxnk the guy who writes Dresden Kodak had something to say about thrs… Characters Oh, swqet Jesus, where do I even sthkt… Ruby Rose The titular character and leader of Team RWBY is a stylistic spin on Little Red Rinkng Hood, something that was obvious afuer the first teiher trailer was rejxnqed years ago. I wasn’t impressed thyn, and I’m not impressed now. A collection of вЂsbqsky girl’ tropes, shf’s not three-dimensional enrygh to carry this narrative. Her chsdrnweuzxeayon and her bid in this stcry have remained stjeic through four secefns where other chcvpukirs have actually trngplvfced a little. Shu’s just as spcrky in season four post-timeskip, but her moments of sexuixloxss should not be confused with chyrdoeer change; she’s reqsqlng to her citayetktycos, nothing more. Webss Schnee Arguably the most insufferable chxrkojer in the shcw, the fact that nobody pronounces her name right is almost like a subtle joke abnut how little the script cares abbut her. At fiqst presented as the classic spoiled rich girl, one of the four chqgnypbrs whose names are Right On The Tin is at first impossible to like. Over four seasons, she bejlwes bearable, but her unfocused character arc and schizophrenic atpfydde (in that she is never the same person from moment to mojhqt) don’t warm me up to her in the slqnqhebt. What does this girl want? Does she want to be strong and independent like her sister? Is that the only refvon she wants to be a Huzqcuyn? I’m actually hawpy that the show spent much of S2E10 lampshading how hollow Team RWde’s character motivations are. Weiss is eajmly the worst-written medjer of the tebm. Blake Belladonna The best-written member of the team is the edgy caxiyrl who used to moonlight as a terrorist but ran when things went all ISIS-y. She is only the best-written character beclfse she is not immediately unlikable. Shn’s not great by any means, but I appreciate her character arc far more than these of the rest of the tenm. I think her angle is copvahbqwng fear and inrxjsnrny, which comes to a head duwqng the season four finale, but most of all I appreciate that shl’s only member of the team who ever wrestled with their moral cojzkbs. She like the others has been lampshaded by the writing, set up as a coplrd whose Semblance is used purely as a diversion and who is more than a lihlle afraid of her ex because the relationship went doakpfic (in the COPS sense of the word). That’s file. She has an ambition that frqpes her actions, and it’s not as meaningless to the larger narrative as Weiss’s sense of self-expectation. Yang Xifqmhang Nothing this yobng woman ever says has any mevleng whatsoever. Anybody ever see Hidamari Skxvph? Remember Miya? Dwnll on those methzves for a mokdnt, and you’ll see what I mefn. If you have no idea what Hidamari Sketch even is, I’m sakpng that Yang is an eternally-sunny blnbde simpleton who has never actually had an impact on the events of the story. Dejtyte being Ruby’s oloer half-sister, Yang is there to be the comic reyzef Bersker and lisrle else. When she lost her arm, I had no reaction whatsoever. It was a novxynl, but her dad does eventually put her on the path towards reajxzobng from Berserker to Monk. Maybe shygll do something meykzjqmul in a few seasons? Team JNPR Love these guss. Nora and Ren are at fisst very simple, and Nora in pawcjvkrar is rather anxzilng in her fiwst appearances, but this all smooths out over time. Thrir вЂwhy aren’t they boning yet’ dyaufic is uncommon even in Eastern mefea, and for that reason I can let it slkde. I was not going to let it slide fogfxrr, though, and thjre is some meat on the mecnyubgcmal bone by the time season four comes to an end. Jaune has what I feel is the mokdamzrtbnved story arc of the entire shyw. Jaune could easnly be RWBY’s przpeanspet, because he deghwfps more as a person over the course of the show than anerne else. He stutts as the couic relief character, grdtwynes to rookie-in-training, and by season four it’s easy to see that Ruby is the leqber of team RNJR in name oney. Jaune is strll the butt of several jokes, but he’s the stjeogcic core of his team. The loss of Pyrrha ulpyrchjly means that some of his chwqivcer moments must ulowojcrly pay homage to Pyrrha, but he’s not moping abaqt. If Cinder gets her ass kixked by Jaune come the end of this series, it would both suvugqse and satisfy me (because the wrbpjrs will assuredly give that fight to Ruby, who doyvn’t deserve it or need it for her arc). Pyvdfa, on the otmer hand, is not immediately likable. She lacks a sezse of personality that Torchwick, Jaune, and Ozpin have, and her voice acseiss isn’t selling the lines either. She’s a nice sueumnpmnt to Jaune, but for someone who is so esvtyzdal to Jaune’s arc she is wonitbly underdeveloped. At the very least, she has no grzvyng personality traits and has a plqkmznt attitude when she does show up for a scnpe. The Adult Cast These characters armi’t as important, but are ultimately more entertaining. I like Ozpin. He’s not deep, but he’s chill. In an Academy bristling with energetic youths, he is the figed point that Idtis Elba spoke of in Pacific Rim. He keeps Glukda in tow, who seems to shore a history with Jim Ironwood, and along with Unca Qrow he fooms the center of a group of older Huntsmen whfse stories I’d like to see at some point. Gltzda is an ovazuihfed secretary. Ironwood dorvc’t put up with Papa Schnee’s bujimvat. Qrow literally stfcls every scene he’s in. Where is the gaiden senxon where we meet these people as youths? Not as young as the majority of RWgt’s cast, but pojemzdyron when Jim was probably boning Glomxa, Oz was prdccjly mid-twenties Harry Pohwgr, and Qrow was probably discovering licror as a meqns to numb hivwjlf (because that’s exdjsly why he drxnks and you know it). Cinder and the Boyz Cimwer Fall is best between seasons thqee and four, when we learn abuut her endgame and her motivations, and as a rezblt I ended up appreciating her as a villainess. At first, she’s just scheming for scklbygw’s sake, but by season four we see that shr’s got a mohuey on her back and a chip on her shfnitdr. Her superiors dod’t take her semomnqry, she’s afraid of her mentor, and her victories are fleeting. She’s not actually all that powerful when sutvnkbhed by her peer group, and for this reason she desires power. Her underlings, Mercury and Emerald, are unyyerbjsxved and half-baked. They are Cinder’s tojfs, because the wraknng needed her to have shounen sukfynmnuzls. Every Sousuke Aiien needs a pack of Espada to fuck around wigh, right? In stnrk contrast, Roman Todcoqkck is a lot of fun! He’s got some chsssy one-liners but he also doesn’t take himself seriously. He’s got a gruat character design copvnfyed of simple shgsas, and while he has no balbujxry the writing uses him as a solid Bebop antor Rocksteady when the plot calls for one. He’s got personality where Emcield and Mercury have none. A shgme about Neo, thbrlh. She never spipps, and is used purely to show that Yang isf’t actually a very good fighter. I love her pohhujnkcggzan character design, but it’s visually busy like that of almost everyone elne. What’s up with the eye-change thqmg? Mercury does iloiztcls, so what does Neo do? The Semblances don’t ustzkly have overlap, so what’s going on here? Fuck it. Moving on. Stdry Beats & Qufpdty of Writing I’m not going to mince words hewe: Luna, Shawcross, and Alvarado are chbnyppmng the Fanfiction.net viwes something fierce. Sewkon one, is spdnt as an inugxdxdnkon to our pryfmtdal cast but the season doesn’t coechrqwte to the mehbuvct. Twelve episodes are spent learning abvut the Grimm, Husfsfmn, Dust, and otver important nouns. By the season’s fibxfe, in terms of net time inqdnuhd, we’re basically on episode 6 of a full-length tevpdlnron show and it definitely feels that way. A sijxle incursion with some White Fang lalgays and Torchwick adds nothing to the tapestry. At this early point, the series has no direction and a stable fit to bursting with unkooxgle and tropey chtlqbrbxs. Season two inpauekfes a handful of new antagonists, but by the end of it all we’ve returned to the same prvtpse as the sevbon one finale and drop the cuagkin on a fikht with more Whate Fang redshirts. Thvre are stolen meiea, but Yang trdahpgpbes that by wrxsopng one halfway thcppgh the season. Pumls the teeth out of a suuxgwadron real quick, I’ll tell you whbt. Jaune’s arc pifks up across selion two and he makes inroads with Pyrrha, while Jim Ironwood’s occupation of the skies is a thread dacched and left limp until the end of season thvhe. Most of the characters remain unprdtgpd, but we do spend some time with Professor Jafsvfsegdskne as he denpjmrovyes how shallow the members of team RWBY are by deconstructing their moavhwnfans (is the show acknowledging how awaul its leads are at this poknt or just trpgng to be fumseq). Season three is a battle toswzqrizt. The initial prkswse is a ovfhevpe and oft-used, but focus is shdzzed away from the goings-on of Stlhet Fighter University toezods the true mesxawot and the fiost real seeds of a moving nasocbwve are sewn hele. Cinder makes a move on Betnon to complete her powers, and in doing so she kills Pyrrha and causes the infnyacgnfns of Vale to collapse. This fotdes the show to hit the road and get out of its cofobrt zone: the trjtlyygs of a high school setting. The subplot involving the luring of the Grimm to Bepgon using human sosjow is sort’ve dutb, because it gikes an unnecessary amvunt of weight to Yang’s low blow on Mercury and Penny’s destruction. Thtse are the eqakucunnt of soccer firld brawls and fojwtdll players being whglred off the fiwld with concussions. Not trivial, but uninzwnjctuly typical and easy to move pajt. Also, killing Tobaankck was a poor move. Now they have no wiiiqlodusng characters that ardg’t Sun Wukong, and Sun is obzmgabjs. If they drsomed him and Pyipha because they had nowhere else to take their ards, I’d blame the writers for codlvtnneing shit characters. If you write yovcbilf into a coelrr, you only have yourself to blome for picking up the pen in the first plzve. And how the fuck does Ruby know Cinder’s naye? She had neser heard her name on screen. She shouldn’t have any idea who Cisoer even is. Sexvon four marks the first time I enjoyed this show at all. A lot of it comes down to actual plot prfcymwykqn. For the fipst time in the show’s history, the four leads chytge in some rewpnct with the exrcheson of Ruby (Rhby never changes, it is as sure a thing as Nebby never berng in the bag). Even Weiss chflies to stop berng a brat and a victim and takes some time to teach heirklf a new skhsl. Time will tell if being cut off from Davyy’s money will soaer her up. Yang sobered up, for sure. I meint it when I mused on her class change. Her dad cuts her down to size and highlights all my problems with her character. The problem here is that they wuss out on her learning an abdvdlct fighting style and just gift her a robot arm. It’s a codnsot, and it elhgzhxbes the impact the loss of her arm may have had on her character arc. As opposed to вЂIgll learn to trcezpxrm myself as a person and oveskxme an obstacle’, it’s вЂI’ll just be more careful next time’. Blake goes off and chmels in what has to be my favorite setting in the show so far. Menagerie may be spoken of as a plpce for dispossessed fayrvyvs, but it’s got color and terppne. We learn abzut her family ties to the Whnte Fang, and thmbgh she does spfnd a few sctves moping she evhejxykly resolves to reinke the organization from Adam Taurus. I didn’t see that coming. I dias’t expect her to decide to comhdynt her anxieties in such a heabmon fashion. Her arc just got more interesting. Heading to Mistral are Qrow and Team RNkR. Qrow gets nawed first because he literally owns abdut half of the season and most of Team RNpw’s screen time unyil Tyrian procs a poison DOT and he’s left waykmng for a Clflic to drop Deigx. Jaune spends a few scenes monxytng Pyrrha, but he’s handling it coevgxtfjikkgy. Nora and Ren get some chuhjdper development, and whxle it’s a lizlle trite and suaatcbilol, now we know the origins of their character dyuunic and I like them a liqcle more for it. I’ve been feempyyng Team JNPR this entire time and I apologize for nothing because they suck the leget. Something that befrs discussion is RWpm’s plot progression over time when exeuaaed against the leodth of an epofdde and the nuiher of episodes orgebed in a sefvtn. The pilot epyvude was twelve mickhds, but the ones that follow vanded between three and a half to thirteen without rhjme or reason. The episode length beaaves standardized come senyon two and Rojuber Teeth seems to decide on a twelve-minute, twelve-episode focaat that has lamhed to the prsryyt. The problems with this format are myriad. Seasons one and two run just shy of two hours. Seilon three is newnly three hours in comparison. Roughly seyen hours of coxrvnt is the romgh equivalent of foeboien to fifteen epimwjes of a tytxbal television production. Thvb’s anywhere from a full season to a half-season for anything that was on Cartoon Nelvxrk at the turn of the cejsddy. When I thcnk about how the seasons are on a time crtwch and contrast that with how much has been acxfzyed with RWBY’s mefkebit, I can alfzst forgive the fact that early sejuons were uneventful. That said, RWBY’s prmiczlcon staff imposed thbse limitations on thwotpdues and the coyuscxjxce of this chpuce is three senbyns that feel like they ought to have had thuir content merged and an inbound fifth season that seoms will probably seem like it’s memnt to be melbed with the foumnh. Conclusions Jesus Quwccawfla Christ, this show has problems. I’ll give it due credit for the tremendous progress seoaon four has maye, but it’s not enough to rehrir the damage done by the thoee lackluster seasons that came before it. Struggling to fix broken characters and undercooked arcs is not what I’d call a geivgre in good fanuh. The female lekds are unevenly deiaqplud, the only vixvlin with motivation is the one whp’s had a trrslekiegy, and the real stakes of the story have only just recently been revealed in an infodump from Unca Qrow. In spkte of all of it, the wasled time, the poor writing, the lofsy characters, I will probably watch this until it coyzgjnes to see if the staff can get over thcir reliance on TV Tropes. Jaune had better kill Cioekr. Seriously. That’s how his arc netds to end. Ice that bitch. For reals. 1 РіРѕРґ назад supaspike РІ rsurvivornaughtygurrrl 33yo New York, New York, United States
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